ミュージックツーリズム市場規模、成長と動向分析レポート 2026-2033年

世界のミュージックツーリズム市場規模は、2025年には1,036億8,000万米ドルと推定され、2033年には3,301億2,000万米ドルに達するとGrand View Researchでは予測しています。2026年から2033年にかけては年平均成長率（CAGR）15.8%で成長する見込みです。旅行が単なる気晴らしではなく、ライフスタイル支出の中心的な柱となるにつれ、人々は自宅や健康習慣を整えるのと同じように、個人の願望を反映した旅を計画するようになっています。

主要市場動向とインサイト

• 北米のミュージックツーリズム市場の収益シェアは2025年に38.10%
• イベント種類別ミュージックツーリズム市場では、2025年にコンサートの収益シェアが52.55%
• 支出別ミュージックツーリズム市場では、2025年に旅行関連の収益シェアが59.93%
• 年齢層別ミュージックツーリズム市場では、2025年に18歳から34歳までの消費者の収益シェアが64.37%
• 予約方法別ミュージックツーリズム市場では、2025年にオンライン旅行代理店（OTA）経由予約の収益シェアが55.83%

音楽ストリーミングプラットフォームによって促進されたデジタルファンダムの急速な台頭は、リスナーとアーティストの関わり方を大きく変え、オンラインでの発見が目的地を巡る旅行へとますます繋がるようになっている。Spotify、Apple Music、YouTube、TikTokなどを通じてファンが感情的な繋がりを築くにつれ、その関係は単に音楽を聴くだけにとどまらず、物理的な距離感やライブでの共有体験への欲求へと発展していく。ストリーミングプラットフォームはファンダムの「最初の接点」として機能し、ツアーの開催地はその忠誠心を現実世界で拡張する場となっています。こうした行動様式の変化は、今や音楽ツーリズムの大きな原動力となっています。

本レポートは、世界、地域、国レベルでの収益成長を予測し、2021年から2033年までの各サブセグメントにおける最新の業界動向と機会を分析しています。この調査のために、グランドビューリサーチは、イベントの種類、支出、年齢層、予約方法、地域に基づいて、世界のミュージックツーリズム市場レポートをセグメント化しました。

Music Tourism Market Summary

The global music tourism market size was estimated at USD 103.68 billion in 2025 and is expected to reach USD 330.12 billion by 2033, growing at a CAGR of 15.8% from 2026 to 2033. As travel becomes a central pillar of lifestyle spending rather than a discretionary break from routine, people are building journeys that reflect personal aspirations in the same way they now curate their homes or wellness habits.

The rapid rise of digital fandom, fostered by music streaming platforms, has transformed how listeners engage with artists, increasingly converting online discovery into destination-led travel. As audiences build emotional attachment through Spotify, Apple Music, YouTube, and TikTok, the relationship no longer stops at listening; it evolves into a desire for physical proximity and live, shared experiences. Streaming platforms thus serve as the “first touchpoint” of fandom, while touring destinations serve as the real-world extension of that loyalty. This growing behavioral shift is now a major driver of music tourism, as fan journeys begin online but ultimately translate into flights, hotel bookings, and city visits built around live performances.

The social nature of fandom communities reinforces this move from virtual engagement to physical travel. The streaming environment is not only where fans discover music, but also where they find identity through shared culture, reposting concert clips or live-streamed performances that build anticipation for in-person attendance. According to the YouTube Culture & Trends Report 2023, 70% of Gen Z say online video is their primary gateway to experiencing live performances before attending in person, illustrating how streaming is now the top-of-funnel driver of travel intent. As fandom becomes participatory, not passive, fans treat live events as moments of belonging, deciding to travel feels emotionally justified and socially validated, rather than discretionary leisure.

The tourism pull created by streaming-led fandom is now visible in booking behavior across travel platforms. Cities experience measurable surges in travel interest the moment a globally streamed artist announces a tour stop. According to Expedia Traveler Trends 2024, published December 2023, Taylor Swift’s Eras Tour generated triple-digit increases in hotel and flight searches following city announcements, prompting the company to label 2024 “the year of Taylor Swift tourism”.

Furthermore, the surge in concert-led travel reflects a structural shift in how consumers make tourism decisions, with the live event now serving as the primary motivation for the trip. Instead of choosing a destination first and building entertainment around it, travelers increasingly reverse the sequence: they choose the artist or performance first and the destination second. This shift is driven by emotional proximity and the cultural value of “being present” at a live moment that cannot be replicated digitally. According to the Live Nation Annual Report in February 2024, international concert attendance rose by more than 20% year-on-year, underscoring how live performances are now causing fans to cross borders specifically to see artists they follow closely, rather than to pursue a destination itself.

This behavior is especially visible when headline tours or limited-run shows create urgency. When a major tour stop is exclusive or city-limited, fans travel because there is no alternative local access. This dynamic was evident during the Eras Tour, where concert announcements triggered immediate spikes in flight and hotel interest; according to Expedia Traveler Trends in December 2023, Taylor Swift tour date releases led to triple-digit jumps in destination searches within hours.

Brand Market Share Insights

The global music tourism market is characterized by the presence of well-established festival organizers, concert promoters, destination marketers, and hospitality partners alongside a growing base of emerging experiential travel players. Market participants are actively pursuing strategic initiatives to align with evolving traveler expectations around immersive entertainment, cultural authenticity, and premium event access. Product development is increasingly focused on curated travel packages that bundle live performances with accommodation, transportation, VIP seating, and exclusive backstage or artist-led experiences, enhancing convenience and perceived value for high-spending music travelers. Digital transformation is also reshaping music tourism strategies, with organizers investing in mobile ticketing ecosystems, personalized event discovery platforms, dynamic pricing models, and social-media-led destination branding. Partnerships between tourism boards, airlines, and event promoters are further strengthening market reach, positioning music tourism as a rapidly evolving segment within the global experiential travel economy.

Consumer Insights

Gen Z is the most travel-active and experience-driven group in music tourism, using live events as both a social and cultural expression. According to Bread Financial and AAA data, 65% of Gen Z have already traveled or plan to travel more than 50 miles for a live event, the highest among all generations, and 52% plan to attend a music event within the next year. They are also the most likely to fly for a concert (53%) and twice as likely as Baby Boomers to travel over 1,500 miles (18% vs. 9%). Their approach reflects a high level of urgency and spontaneity in experience-seeking. Notably, 72% of Gen Z travelers extend their trips to include additional destination time, indicating that live performances are central to their travel planning and a key part of their social identity.

Millennials represent the financial backbone of the music tourism industry. While slightly less impulsive than Gen Z, 58% have recently traveled to a live event or plan to, and 39% spend between USD 500 and USD 5,000+ on tickets alone. This group demonstrates a strong willingness to invest in premium experiences, 42% use savings to fund trips, and many are open to international travel for better value or unique performances. Around 68% extend their trips into short vacations, indicating that music events serve both entertainment and recreational purposes.

According to UN Tourism’s World Tourism Barometer in January 2025, global arrivals surpassed 2019 levels through 2024 and continued to rise into early 2025, confirming that long-haul discretionary cultural tourism has fully normalized. At the same time, IATA’s World Air Transport Statistics Update in July 2024 reported the highest global average load factor on record, indicating strong consumer willingness to allocate travel budgets to experience-centric motivations. This broader travel recovery is not simply a backdrop; it is the enabling condition that is allowing music tourism volumes to scale again at pace.

Live music has moved from being a secondary activity to becoming a primary reason for travel. For instance, Australia’s state of Victoria reported that among 89 contemporary music festivals held in regional zones, more than half (51%) of the 405,380 attendees in 2019 came from outside those host communities, underscoring that travelling specifically for a music event is increasingly part of the trip design. This shift suggests travelers are choosing the performance first and then building the larger itinerary around it, a pattern likely to ripple through other established music destinations.

Music travel spending is increasingly concentrated around major tours, flagship venues, and destination festivals rather than spread evenly throughout the year. According to UK Music’s Hometown Glory 2024 report, large-scale touring activity in 2023-2024 attracted around 23.5 million music tourists and generated USD 3.2 billion in direct economic impact.

Event Type Insights

Concerts held the largest share of the music tourism market, accounting for 52.55% in 2025. Demand is rising as audiences increasingly travel across cities and countries to attend major arena shows, international tours, and headline concert events that offer emotional connection, cultural excitement, and one-of-a-kind experiences. High-spending music travelers are particularly drawn to premium concert formats such as VIP seating, exclusive hospitality zones, multi-night show packages, and bundled travel services that enhance convenience and elevate the overall event experience. Travelers increasingly expect seamless digital ticketing, personalized recommendations, secure booking platforms, and integrated accommodation and transport options when planning concert trips.

The festivals segment is anticipated to grow at a CAGR of 16.4% from 2026 to 2033, driven by rising consumer demand for immersive, multi-day live entertainment experiences that combine music, travel, and cultural exploration. Festivals attract both domestic and international visitors by offering large-scale artist lineups, destination-based settings, and community-driven atmospheres that extend beyond a single performance. Demand is particularly strong among younger travelers and experience-focused audiences who view festival attendance as a lifestyle activity tied to social connection, personal identity, and memorable travel moments. Major events such as Glastonbury, Coachella, Tomorrowland, and Primavera Sound continue to draw global crowds, reinforcing festivals as a core pillar of growth in music tourism.

Age-Group Insights

The 18 to 34 year olds segment held the largest share of the music tourism market, accounting for a share of around 64.37% in 2025. Generation Z and Millennials are reshaping music festival attendance through their strong preference for travel and nature-infused experiences. According to a study by AAA and Bread Financial, 65% of Gen Z and 58% of Millennials plan to travel more than 50 miles for live events in the next year, compared to only 43% of Gen X and 27% of Baby Boomers. Similarly, 53% of Gen Z attendees are willing to fly to attend a music festival, showing how festivals have evolved into key travel experiences.

This is further supported by regional data: 64% of those under 24 are willing to take a flight to see their favorite artist live, particularly strong among Italians, where 46% are ready to take a short flight, and 15% would fly across the world for a show. Moreover, 69% of festival-goers, and an even higher 75% among those aged 21-35, prefer nature-based festivals that allow them to immerse themselves in scenic outdoor settings.

The 34 to 54-year-olds segment is anticipated to grow at a CAGR of 17.9% from 2026 to 2033. Adults aged 34 to 54 are often drawn to music festivals and concerts because these events help them reconnect with the music of their past. Many in this group grew up during the golden eras of the 1980s, 1990s, and early 2000s, when iconic artists and genres defined popular culture. Attending concerts featuring these artists triggers nostalgia and emotional connection, allowing them to relive memories associated with their youth and personal milestones.

Expenditure Insights

Travel-related expenditure dominated the music tourism industry, accounting for a share of around 59.93% in 2025. Consumers consider distance from home, airfare, hotel rates, and the convenience of reaching the venue before committing to attend. When travel expenses rise, potential festivalgoers may limit attendance at nearby events or reduce the number of festivals they attend each year. This is especially true for younger audiences or budget-conscious travelers who balance the desire for unique experiences with financial constraints. At the same time, well-planned travel can enhance the overall festival experience. Many consumers consider music festivals short vacations, combining them with sightseeing or local cultural exploration.

Event expenditure is expected to grow at a CAGR of 15.5% from 2026 to 2033. For most attendees, event-related expenses, including ticket prices, food and beverages, merchandise, parking, and accommodations near the venue, represent a substantial portion of their total spending. Consumers carefully assess whether the experience justifies the cost. A 2024 survey shows that 44% of festival-goers are attending fewer festivals due to rising ticket prices, and 49% of respondents refuse to pay more than USD 270 for a festival ticket. This highlights consumers’ sensitivity to pricing and its impact on their participation decisions. For example, a higher ticket price may be acceptable if it offers better amenities, such as VIP seating, exclusive artist access, or premium sound quality. On the other hand, hidden costs or overpriced food and merchandise can negatively impact perceptions of value.

Booking Mode Insights

Online travel agencies held the largest share of the music tourism market, accounting for a share of around 55.83% in 2025. Online travel agencies (OTAs) provide unmatched convenience by bringing together all essential travel services, such as event tickets, accommodation, flights, and local transport, on a single platform. This eliminates the need to visit multiple websites or coordinate separate bookings, which can be time-consuming and confusing, especially for large events. Using OTAs like Trip.com, Expedia, or Booking.com, festivalgoers can plan their entire trip in a single seamless transaction. These platforms have also begun offering specialized festival or concert packages, making it easier for domestic and international travelers to plan their itineraries.

The travel agents segment is anticipated to grow at a CAGR of 15.9% from 2026 to 2033. Travel agents bring valuable expertise and local knowledge to music festival and concert travel. Their familiarity with event venues, transportation systems, and nearby attractions enables them to craft smooth, enjoyable itineraries for travelers. They guide consumers on the best routes, local customs, safety precautions, and the ideal time to arrive at the festival grounds. For international attendees unfamiliar with a destination’s logistics or language, this expertise ensures a hassle-free experience. It allows them to focus on enjoying the music and atmosphere rather than worrying about planning details.

Recent Developments

• In March 2025, KQ Entertainment, the South Korean label behind rising K-pop powerhouse ATEEZ, entered into a multi-year strategic partnership with global live entertainment giant AEG Presents. The deal grants AEG Presents full oversight of ATEEZ’s worldwide tour production following their highly successful North American and European legs, including sold‑out stadium shows at Citi Field, BMO Stadium, Globe Life Field, and a milestone performance at Paris’s La Défense Arena. This collaboration aims to deepen K-pop’s global reach, pairing KQ’s artist development strengths with AEG’s production and promotional expertise.
• In November 2024, ADA, the independent music distribution and artist-services arm of Warner Music Group, strengthened its team and sealed strategic deals across Southeast Asia. It appointed Rasti Sryantoro as Head of ADA Indonesia and Arisa Maruekatat as Head of ADA Thailand. The company also signed new deals with major regional labels, including GMM Music in Thailand. It extended its partnership with Indonesia’s DPM to boost the reach of local artists internationally.

Global Music Tourism Market Report Segmentation

This report forecasts revenue growth at the global, regional, and country levels and provides an analysis of the latest industry trends and opportunities in each of the sub-segments from 2021 to 2033. For this study, Grand View Research has segmented the global music tourism market report based on event type, expenditure, age group, booking mode, and region:

• Event Type Outlook (Revenue, USD Million, 2021 – 2033)
  • Concerts
  • Festivals
  • Others
• Expenditure Outlook (Revenue, USD Million, 2021 – 2033)
  • Event Expenditure
  • Travel-Related Expenditure
• Age Group Outlook (Revenue, USD Million, 2021 – 2033)
  • Below 18 Years
  • 18 to 34 Years
  • 34 to 54 Years
  • 55 Years and Above
• Booking Mode Outlook (Revenue, USD Million, 2021 – 2033)
  • Direct Booking
  • Travel Agents
  • Online Travel Agencies (OTAs)
  • Others
• Regional Outlook (Revenue, USD Million, 2021 – 2033)
  • North America
    • U.S.
    • Canada
    • Mexico
  • Europe
    • Germany
    • UK
    • France
    • Italy
    • Spain
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
    • Australia & New Zealand
  • Central & South America
    • Brazil
  • Middle East & Africa
    • South Africa
    • UAE

Table of Contents

Chapter 1. Methodology and Scope

1.1. Market Segmentation & Scope
1.2. Market Definition
1.3. Information Procurement
1.3.1. Purchased Database
1.3.2. GVR’s Internal Database
1.3.3. Secondary Sources & Third-Party Perspectives
1.3.4. Primary Research
1.4. Information Analysis
1.4.1. Data Analysis Models
1.5. Market Formulation & Data Visualization
1.6. Data Validation & Publishing

Chapter 2. Executive Summary

2.1. Market Outlook
2.2. Event Type Outlook
2.3. Expenditure Outlook
2.4. Age Group Outlook
2.5. Booking Mode
2.6. Competitive Landscape Outlook

Chapter 3. Music Tourism Market Variables, Trends & Scope

3.1. Market Lineage Outlook
3.1.1. Parent Market Outlook
3.1.2. Related Market Outlook
3.2. Penetration & Growth Prospect Mapping
3.3. Industry Value Chain Analysis
3.3.1. Booking Mode Analysis
3.3.2. Profit Margin Analysis
3.4. Market Dynamics
3.4.1. Market Driver Analysis
3.4.2. Market Restraint Analysis
3.4.3. Market Opportunities
3.4.4. Market Challenges
3.5. Business Environment Analysis
3.5.1. Industry Value Chain Analysis – Porter’s
3.6. Market Entry Strategies

Chapter 4. Music Tourism Market: Consumer Behavior Analysis

4.1. Demographic Analysis
4.2. Consumer Trends & Preferences
4.3. Factors Influencing Buying Behavior
4.4. Social Commerce/Influencer Trends
4.5. Key Observations & Findings

Chapter 5. Music Tourism Market: Event Type Estimates & Trend Analysis

5.1. Music Tourism Market, By Event Type: Key Takeaways
5.2. Event Movement Analysis & Market Share, 2025 & 2033
5.3. Market Estimates & Forecasts, by Event Type, 2021 – 2033 (USD Million)
5.3.1. Concert
5.3.1.1. Market estimates and forecast, 2021 – 2033 (USD Million)
5.3.2. Festival
5.3.2.1. Market estimates and forecast, 2021 – 2033 (USD Million)
5.3.3. Others
5.3.3.1. Market estimates and forecast, 2021 – 2033 (USD Million)

Chapter 6. Music Tourism Market: Expenditure Estimates & Trend Analysis

6.1. Music Tourism Market, By Expenditure: Key Takeaways
6.2. Expenditure Movement Analysis & Market Share, 2025 & 2033
6.3. Market Estimates & Forecasts, by Expenditure, 2021 – 2033 (USD Million)
6.3.1. Event Expenditure
6.3.1.1. Market estimates and forecast, 2021 – 2033 (USD Million)
6.3.2. Travel-Related Expenditure
6.3.2.1. Market estimates and forecast, 2021 – 2033 (USD Million)

Chapter 7. Music Tourism Market: Age Group Estimates & Trend Analysis

7.1. Music Tourism Market, By Age Group: Key Takeaways
7.2. Age Group Movement Analysis & Market Share, 2025 & 2033
7.3. Market Estimates & Forecasts, by Age Group, 2021 – 2033 (USD Million)
7.3.1. 18 and Less
7.3.1.1. Market estimates and forecast, 2021 – 2033 (USD Million)
7.3.2. 18 to 34 Years
7.3.2.1. Market estimates and forecast, 2021 – 2033 (USD Million)
7.3.3. 34 to 54 Years
7.3.3.1. Market estimates and forecast, 2021 – 2033 (USD Million)
7.3.4. 55+ Years
7.3.4.1. Market estimates and forecast, 2021 – 2033 (USD Million)

Chapter 8. Music Tourism Market: Booking Mode Estimates & Trend Analysis

8.1. Music Tourism Market, By Booking Mode: Key Takeaways
8.2. Booking Mode Movement Analysis & Market Share, 2025 & 2033
8.3. Market Estimates & Forecasts, by Booking Mode, 2021 – 2033 (USD Million)
8.3.1. Direct Booking
8.3.1.1. Market estimates and forecast, 2021 – 2033 (USD Million)
8.3.2. Travel Agent
8.3.2.1. Market estimates and forecast, 2021 – 2033 (USD Million)
8.3.3. Online Travel Agencies
8.3.3.1. Market estimates and forecast, 2021 – 2033 (USD Million)
8.3.4. Others
8.3.4.1. Market estimates and forecast, 2021 – 2033 (USD Million)

Chapter 9. Music Tourism Market: Regional Estimates & Trend Analysis

9.1. Music Tourism Market: Regional Outlook
9.2. Regional Movement Analysis & Market Share, 2025 & 2033
9.3. Market Estimates & Forecasts, by Region & Country, 2021 – 2033 (USD Million)
9.3.1. North America
9.3.1.1. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.1.2. U.S.
9.3.1.2.1. Key country dynamics
9.3.1.2.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.1.3. Canada
9.3.1.3.1. Key country dynamics
9.3.1.3.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.1.4. Mexico
9.3.1.4.1. Key country dynamics
9.3.1.4.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.2. Europe
9.3.2.1. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.2.2. Germany
9.3.2.2.1. Key country dynamics
9.3.2.2.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.2.3. UK
9.3.2.3.1. Key country dynamics
9.3.2.3.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.2.4. France
9.3.2.4.1. Key country dynamics
9.3.2.4.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.2.5. Italy
9.3.2.5.1. Key country dynamics
9.3.2.5.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.2.6. Spain
9.3.2.6.1. Key country dynamics
9.3.2.6.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.3. Asia Pacific
9.3.3.1. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.3.2. China
9.3.3.2.1. Key country dynamics
9.3.3.2.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.3.3. Japan
9.3.3.3.1. Key country dynamics
9.3.3.3.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.3.4. India
9.3.3.4.1. Key country dynamics
9.3.3.4.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.3.5. South Korea
9.3.3.5.1. Key country dynamics
9.3.3.5.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.3.6. Australia & New Zealand
9.3.3.6.1. Key country dynamics
9.3.3.6.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.4. Central & South America
9.3.4.1. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.4.2. Brazil
9.3.4.2.1. Key country dynamics
9.3.4.2.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.5. Middle East & Africa
9.3.5.1. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.5.2. South Africa
9.3.5.2.1. Key country dynamics
9.3.5.2.2. Market estimates and forecast, 2021 – 2033 (USD Million)
9.3.5.3. UAE
9.3.5.3.1. Key country dynamics
9.3.5.3.2. Market estimates and forecast, 2021 – 2033 (USD Million)

Chapter 10. Competitive Analysis

10.1. Recent Developments & Impact Analysis, by Key Market Participants
10.2. Company Categorization
10.3. Participant’s Overview
10.4. Financial Performance
10.5. Product Benchmarking
10.6. Brand Market Share Analysis, 2025 (%)
10.7. Company Heat Map Analysis
10.8. Strategy Mapping
10.9. Company Profiles
10.9.1. Anschutz Entertainment Group, Inc.
10.9.1.1. Company Overview
10.9.1.2. Financial Performance
10.9.1.3. Product Portfolios
10.9.1.4. Strategic Initiatives
10.9.2. Glastonbury Festival Events Limited
10.9.2.1. Company Overview
10.9.2.2. Financial Performance
10.9.2.3. Product Portfolios
10.9.2.4. Strategic Initiatives
10.9.3. We Are One World BV
10.9.3.1. Company Overview
10.9.3.2. Financial Performance
10.9.3.3. Product Portfolios
10.9.3.4. Strategic Initiatives
10.9.4. Superstruct Entertainment Limited
10.9.4.1. Company Overview
10.9.4.2. Financial Performance
10.9.4.3. Product Portfolios
10.9.4.4. Strategic Initiatives
10.9.5. iMe Entertainment Group
10.9.5.1. Company Overview
10.9.5.2. Financial Performance
10.9.5.3. Product Portfolios
10.9.5.4. Strategic Initiatives
10.9.6. CTS EVENTIM AG & Co. KGaA
10.9.6.1. Company Overview
10.9.6.2. Financial Performance
10.9.6.3. Product Portfolios
10.9.6.4. Strategic Initiatives
10.9.7. Live Nation Entertainment
10.9.7.1. Company Overview
10.9.7.2. Financial Performance
10.9.7.3. Product Portfolios
10.9.7.4. Strategic Initiatives
10.9.8. HYBE Co., Ltd.
10.9.8.1. Company Overview
10.9.8.2. Financial Performance
10.9.8.3. Product Portfolios
10.9.8.4. Strategic Initiatives
10.9.9. MSG Entertainment Holdings, LLC
10.9.9.1. Company Overview
10.9.9.2. Financial Performance
10.9.9.3. Product Portfolios
10.9.9.4. Strategic Initiatives
10.9.10. DF Concerts Limited
10.9.10.1. Company Overview
10.9.10.2. Financial Performance
10.9.10.3. Product Portfolios
10.9.10.4. Strategic Initiatives
10.9.11. TEG Dainty
10.9.11.1. Company Overview
10.9.11.2. Financial Performance
10.9.11.3. Product Portfolios
10.9.11.4. Strategic Initiatives

List of Tables

Table 1 Music Tourism market – Key market driver analysis
Table 2 Music Tourism market – Key market restraint analysis
Table 3 Music Tourism market estimates & forecast, by event type (USD Million)
Table 4 Music Tourism market estimates & forecast, by expenditure (USD Million)
Table 5 Music Tourism market estimates & forecast, by age group (USD Million)
Table 6 Music Tourism market estimates & forecast, by booking mode (USD Million)
Table 7 North America music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 8 North America music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 9 North America music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 10 North America music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 11 North America music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 12 U.S macro-economic outlay
Table 13 U.S music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 14 U.S music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 15 U S music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 16 U.S music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 17 U.S music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 18 Canada macro-economic outlay
Table 19 Canada music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 20 Canada music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 21 Canada music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 22 Canada music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 23 Canada music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 24 Mexico macro-economic outlay
Table 25 Mexico music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 26 Mexico music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 27 Mexico music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 28 Mexico music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 29 Mexico music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 30 Europe music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 31 Europe music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 32 Europe music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 33 Europe music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 34 Europe music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 35 Germany macro-economic outlay
Table 36 Germany music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 37 Germany music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 38 Germany music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 39 Germany music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 40 Germany music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 41 UK macro-economic outlay
Table 42 UK music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 43 UK music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 44 UK music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 45 UK music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 46 UK music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 47 France macro-economic outlay
Table 48 France music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 49 France music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 50 France music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 51 France music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 52 France music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 53 Italy macro-economic outlay
Table 54 Italy music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 55 Italy music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 56 Italy music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 57 Italy music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 58 Italy music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 59 Spain macro-economic outlay
Table 60 Spain music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 61 Spain music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 62 Spain music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 63 Spain music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 64 Spain music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 65 Asia Pacific music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 66 Asia Pacific music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 67 Asia Pacific music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 68 Asia Pacific music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 69 Asia Pacific music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 70 China macro-economic outlay
Table 71 China music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 72 China music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 73 China music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 74 China music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 75 China music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 76 Japan macro-economic outlay
Table 77 Japan music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 78 Japan music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 79 Japan music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 80 Japan music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 81 Japan music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 82 India macro-economic outlay
Table 83 India music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 84 India music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 85 India music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 86 India music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 87 India music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 88 South Korea macro-economic outlay
Table 89 South Korea music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 90 South Korea music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 91 South Korea music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 92 South Korea music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 93 South Korea music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 94 Australia & New Zealand macro-economic outlay
Table 95 Australia & New Zealand music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 96 Australia & New Zealand music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 97 Australia & New Zealand music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 98 Australia & New Zealand music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 99 Australia & New Zealand music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 100 Central & South America music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 101 Central & South America music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 102 Central & South America music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 103 Central & South America music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 104 Central & South America music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 105 Brazil macro-economic outlay
Table 106 Brazil music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 107 Brazil music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 108 Brazil music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 109 Brazil music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 110 Brazil music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 111 Middle East & Africa music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 112 Middle East & Africa music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 113 Middle East & Africa music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 114 Middle East & Africa music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 115 Middle East & Africa music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 116 South Africa macro-economic outlay
Table 117 South Africa music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 118 South Africa music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 119 South Africa music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 120 South Africa music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 121 South Africa music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 122 UAE macro-economic outlay
Table 123 UAE music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Table 124 UAE music tourism market revenue estimates and forecast by event type, 2021 – 2033 (USD Million)
Table 125 UAE music tourism market revenue estimates and forecast by expenditure, 2021 – 2033 (USD Million)
Table 126 UAE music tourism market revenue estimates and forecast by age group, 2021 – 2033 (USD Million)
Table 127 UAE music tourism market revenue estimates and forecast by booking mode, 2021 – 2033 (USD Million)
Table 128 Recent developments & impact analysis, by key market participants
Table 129 Company market share, 2025
Table 130 Company heat map analysis
Table 131 Companies undergoing key strategies

List of Figures

Fig. 1 Music Tourism market segmentation
Fig. 2 Information procurement
Fig. 3 Primary research pattern
Fig. 4 Primary research approaches
Fig. 5 Primary research process
Fig. 6 Market snapshot
Fig. 7 Event Type snapshot
Fig. 8 Expenditure snapshot
Fig. 9 Age Group snapshot
Fig. 10 Booking Mode snapshot
Fig. 11 Regional snapshot
Fig. 12 Competitive landscape snapshot
Fig. 13 Global music tourism market size (USD Million)
Fig. 14 Music Tourism market size, 2021 to 2033 (USD Million)
Fig. 15 Music Tourism market: Penetration & growth prospect mapping
Fig. 16 Music Tourism market: Value chain analysis
Fig. 17 Music Tourism market: Profit margin analysis
Fig. 18 Music Tourism market: Market dynamics
Fig. 19 Music Tourism market: Porter’s five forces analysis
Fig. 20 Factors influencing buying decisions for music tourism
Fig. 21 Music Tourism market, by event type: Key Takeaways
Fig. 22 Music tourism market: event type movement analysis, 2025 & 2033 (%)
Fig. 23 Music tourism market estimates and forecast, in festivals, 2021 – 2033 (USD Million)
Fig. 24 Music tourism market estimates and forecast, in concerts, 2021 – 2033 (USD Million)
Fig. 25 Music tourism market estimates and forecast, in others, 2021 – 2033 (USD Million)
Fig. 26 Music tourism market: age group movement analysis, 2025 & 2033 (%)
Fig. 27 Music tourism market estimates and forecast, for below 18 years, 2021 – 2033 (USD Million)
Fig. 28 Music tourism market estimates and forecast, for 18 to 34 years, 2021 – 2033 (USD Million)
Fig. 29 Music tourism market estimates and forecast, for 34 to 54 years, 2021 – 2033 (USD Million)
Fig. 30 Music tourism market estimates and forecast, for 55 years and above, 2021 – 2033 (USD Million)
Fig. 31 Music tourism market: expenditure movement analysis, 2025 & 2033 (%)
Fig. 32 Music tourism market estimates and forecast, for event expenditure, 2021 – 2033 (USD Million)
Fig. 33 Music tourism market estimates and forecast, for travel related expenditure, 2021 – 2033 (USD Million)
Fig. 34 Music tourism market: booking mode movement analysis, 2025 & 2033 (%)
Fig. 35 Music tourism market estimates and forecast, through direct booking, 2021 – 2033 (USD Million)
Fig. 36 Music tourism market estimates and forecast, through travel agents, 2021 – 2033 (USD Million)
Fig. 37 Music tourism market estimates and forecast, through online travel agencies, 2021 – 2033 (USD Million)
Fig. 38 Music tourism market estimates and forecast, through others, 2021 – 2033 (USD Million)
Fig. 39 Music Tourism market: Regional outlook, 2025 & 2033 (USD Million)
Fig. 40 Regional marketplace: Key takeaways
Fig. 41 North America music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 42 U S music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 43 Canada music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 44 Mexico music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 45 Europe music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 46 UK music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 47 Germany music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 48 France music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 49 Italy music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 50 Spain music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 51 Asia Pacific music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 52 China music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 53 Japan music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 54 India music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 55 Australia & New Zealand music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 56 South Korea music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 57 Central & South America music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 58 Brazil music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 59 Middle East & Africa music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 60 South Africa music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 61 UAE music tourism market estimates and forecast, 2021 – 2033 (USD Million)
Fig. 62 Key company categorization
Fig. 63 Company market share analysis, 2025
Fig. 64 Strategic framework of the music tourism market

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